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'Getting History Right'
How do individuals, societies, and nations deal with their difficult pasts? 'Getting History Right' examines this question in a comparative context by looking at an authoritarian East Germany and a pluralistic, democratic West Germany. It examines how societal level discussions of the past shaped individual perceptions and interpretations of the past; and how individual perceptions and struggles over the meaning of the past shaped societal level discussions. These struggles over meaning and 'getting history right' are not only shaped by political power, but are also a source of symbolic power.
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Why The West Rules – For Now
Why did British boats shoot their way up the Yangzi in 1842, rather than Chinese ones up the Thames? Why do Easterners use English more than Europeans speak in Mandarin or Japanese? To put it bluntly, why does the West rule? There are two schools of thought: the ‘Long-Term Lock-In’ theory, suggesting some sort of inevitability, and the ‘Short-Term Accident’ theory. But both approaches have misunderstood the shape of history. Ian Morris presents a startling new theory, drawing on thousands of years of history and archaeology, and the methods of social science. He explains with flair and authority why the paths of development differed in the East and West and – also analysing a vicious twist in trajectories just ahead of us – when the West’s lead will come to an end.
Bloody Dawn
When four young men, slaves on Edward Gorsuch's Maryland farm, escaped to rural Pennsylvania in 1849, the owner swore he'd bring them back. Two years later, Gorsuch lay dead outside the farmhouse in Christiana where he'd tracked them down, as his federal posse retreated pell-mell before the armed might of local blacks--and the impact of the most notorious act of resistance against the federal Fugitive Slave Law was about to be felt across a divided nation.Bloody Dawn vividly tells this dramatic story of escape, manhunt, riot, and the ensuing trial, detailing its importance in heightening the tensions that led to the Civil War. Thomas Slaughter's engaging narrative captures the full complexity of events and personalities: The four men fled after they were detected stealing grain for resale off the farm; Gorsuch, far from a brutal taskmaster, had pledged to release all his slaves when they reached the age of twenty-eight, but he relentlessly pursued the escapees out of a sense of wounded honor; and the African-American community in Lancaster County, Pennsylvania that provided them refuge was already effectively organized for self-defense by a commanding former slave named William Parker. Slaughter paints a rich portrait of the ongoing struggles between local blacks and white kidnapping gangs, the climactic riot as neighbors responded to trumpet calls from the besieged runaway slaves, the escape to Canada of the central figures (aided by Frederick Douglass), and the government's urgent response (including the largest mass indictment for treason in our history)--leading to the trial for his life of a local white bystander accused of leading the rioting blacks. Slaughter not only draws out the great importance given to the riot in both the North and the South, but he uses legal records reaching back over half a century to uncover the thoughts of average people on race, slavery, and violence.The Whiskey Rebellion, Slaughter's previous work of history, received widespread acclaim as "a vivid account" (The New York Times) and "an unusual combination of meticulous scholarship and engaging narrative" (The Philadelphia Inquirer). It was a selection of the History Book Club, and won both the National Historical Society Book Prize and the American Revolution Round Table Award. In Bloody Dawn, he once again weaves together the incisive insights of a professional historian with a gripping account of a dramatic moment in American history.
American Klezmer
Klezmer, the Yiddish word for a folk instrumental musician, has come to mean a person, a style, and a scene. This musical subculture came to the United States with the late-nineteenth-century Jewish immigrants from Eastern Europe. Although it had declined in popularity by the middle of the twentieth century, this lively music is now enjoying recognition among music fans of all stripes. Today, klezmer flourishes in the United States and abroad in the world music and accompany Jewish celebrations. The outstanding essays collected in this volume investigate American klezmer: its roots, its evolution, and its spirited revitalization. The contributors to American Klezmer include every kind of authority on the subject--from academics to leading musicians--and they offer a wide range of perspectives on the musical, social, and cultural history of klezmer in American life. The first half of this volume concentrates on the early history of klezmer, using folkloric sources, records of early musicians unions, and interviews with the last of the immigrant musicians. The second part of the collection examines the klezmer "revival" that began in the 1970s. Several of these essays were written by the leaders of this movement, or draw on interviews with them, and give firsthand accounts of how klezmer is transmitted and how its practitioners maintain a balance between preservation and innovation.
